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Alesis SR-16 Stereo Drum Machine
Alesis SR-16 Stereo Drum Machine


Fostex MR8 mkII & MXL 990/991 Recording Package
Fostex MR8 mkII & MXL 990/991 Recording Package

 

Gibson Les Paul Standard  60s Neck Electric Guitar Light Burst Nickel Hardware
Gibson Les Paul Standard 60s Neck Electric Guitar Light Burst Nickel Hardware

Guitar Tuning
Guitar Fretboard

Am pentatonic scale

Guitar Exercises

Learn Guitar Tablature Triplets  

Hammer-ons
A minor Grouping

Guitar chord inversions


Constructing 7th chords

Guitar Chords

Guitar timing

4th string root guitar chords and related guitar scales

Quadruplets

Major Scale Theory


Guitar Modes in C major

Blank Guitar Fretboard illustrations

Blank tablature

Blues Type Rhythm and Lead

Simple electric rhythm

Guitar Lesson 1
Learn about the fretboard.

Guitar Lesson 2
Guitar fretboard continued.

Guitar Lesson 3
Guitar picking Exercises.

Guitar Lesson 4
Guitar picking and fretting exercises.

Guitar Lesson 5
Learning the A minor pentatonic scale.

Guitar Lesson 6
A minor pentatonic scale continued.

Guitar Lesson 8
A minor pentatonic and tablature.

Guitar Lesson 9
Open position chords and tablature.

Guitar Lesson 10
Timing, rhythm and pentatonic positions.

Guitar Lesson 15
Using the root 6 and root 5 bar chords.

Guitar Lesson 17B  Learn the modes in the key of C major.

Guitar Lesson 18 Constructing the major scales.

Guitar Lesson 18B
Key Signatures.

Guitar Lesson 18C
Play C, G, D and A major in one position.

Guitar Lesson 20
F major modes and playing lead over changes.

Guitar Secrets, Lead Guitar Made Easy, Instructional CD ROM

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 A Visual Learning Experience.
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Welcome to Guitar Secrets
Guitar Lessons that Work!

A Visual Learning Experience, Lead Guitar Made Easy.
Instructional CD ROM.

Melody construction.

   D F# A

   B D F#

   G B D

E BG

Exercise 1

The image above shows what the music notation would look like for exercise 1. The notes and chords in the key of D major are as follows: D Em F#m G A Bm C#dim

The illustration below shows the notes in the key of D major in the second position. This would be starting at the 2nd fret. What you need to do is compare each note in the tablature below to the notes in the fretboard illustration. Figure out want notes are being played. For example, in the tablature below the first note played is the (5) this is the E note at the 5th fret.

What you need to do is play the 4 notes and then strum each chord in the illustration above. The first chord is the D chord. Play the 4 notes in that measure and then strum the D chord. Do the same thing for each measure and strum the indicated chord. The 4 chords you need to play are the D Bm G and Em chords. These chords have been shown above. When you strum the chords above, notice how the notes being played in the tablature sound nice. Notice that the chords being played are a sixth note apart. 

D to B   /B to G   /G to E. The next chord you could play after the Em would be the C#dim.

All of this is what you call melodic patterns. You can come up with an almost infinite amount of different melodic patterns.

Let's look at one more example. For our first pattern, I will pick 4 notes at random in the key of D major. For our first pattern, say we pick the D F# E D notes. This will be our main idea to build on. From here, we increase each note by a 3rd. 

This melodic pattern will be in 3rds. 

Once again the notes in the key of D major are: D E F# G A B C#  -   D E F# G A B C# D. 

Our 1st main melodic pattern will have these notes (D F# E D). Now we must create the next pattern. To do this we increase our first pattern by a 3rd for each note. So if we increase each note in our first melodic pattern,  we would have the notes of our second pattern. (F# A G F#). Now we need to create our next pattern. We increase each of the previous notes by a 3rd. (A C# B A). Then we repeat this again. (C# E D C#). So far we have 4 melodic patterns. (D F# E D) (F# A G F#) (A C# B A) (C# E D C#). We can now put these in tablature form.

Like I said, you can come up with an endless amount of melodic patterns using this technique. If your interested in learning more about this, I have invented a very easy technique to accomplish this. I call it my secret technique to creating melodies and scale runs. By using my technique, you can come up with your own melodies and scale runs with easy step by step instructions. It has been included on our Instructional CD ROM, A Visual Learning Experience

This lesson just touched on melodic patterns and could go on forever. You need to learn the notes and chords of each scale and lay them out on a blank fretboard. Once you do this you can visualize each chord and scale pattern. Pick a few notes out of the scale and increase each by a 3rd, 4th, 5th, 6th or what ever. Mix them up and transpose them to different keys. Eventually you will build up an enormous amount of patterns you can call up and play without even thinking about it.

Good luck,

Guitar Secrets

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