Tom Hess an electric guitar virtuoso,
teacher and composer offers the articles below.
Check out Tom Hess online guitar lessons
Are you musically frustrated with yourself? Are you not the musician that
you want to be? Or not as good as you could be or should be? Do you look
with envy at other musicians who are doing what you wish you could be
doing? Does reaching your musical goals seem out of reach?
I think just about everyone has had these thoughts going through their
mind from time to time. Fortunately, you are not alone and there are
things you can do to combat the negativity of frustration. Many of the
great masters of music have been frustrated at times with their own
I've provided four (4) examples from famous classical composers:
1. Ludwig von Beethoven (1770-1827) worked for long periods of time on his
compositions before completing them. He revised his pieces over and over
again, reworking them, doubting his original efforts. This was almost
unheard of in Beethovenšs time. Many of you may already know that
Beethoven gradually became deaf later in his life. Because of this,
Beethoven quit performing as a pianist in 1814 (13 years before his
death). He stopped composing in 1815.
2. Johannes Brahms (1833-1897) was so frustrated with his composing
abilities that he spent twenty-one (21) years composing his first
symphony!!! He felt as if he could never compose a symphony as well as
Beethoven. Brahms kept starting over with his symphony, revising it,
abandoning it, starting over, reworking it, etc.
3. Gustav Mahler (1860-1911) (master of symphonies), revised his
symphonies and other works after having doubts about what he had composed
originally. Mahler kept revising his works until his death. It must have
been frustrating to keep revising pieces that were already published.
4. Jean Sibelius (1865-1957) actually stopped composing for about 30 years
because he felt that he had run out of new musical ideas. He doubted his
abilities to compose anything worthwhile at the height of his popularity.
He worked on new music for those 30 or so years, sketching his ideas
during the day and throwing them away every time. That is some very
Beethoven began composing again in 1817. Many of his most important
compositions are from this last period in his life. Beethoven broke new
ground and had done things never before done in music once he began
working again. Had he continued to let the frustrations of his deafness
paralyze him musically, Beethoven would not be as highly regarded as he is
to this day.
After the twenty-one (21) period of composing his first symphony, Brahms
felt relieved. The shadow of Beethoven was lifted enough to allow Brahms
to move forward. He finally found a way to move on and deal with his
frustrations. He completed his next symphony in less than one year.
Frustration can be help you or hurt you depending on how you deal with it.
As you can see, Beethoven and Brahms eventually found positive ways to
deal with their frustration and overcame it. Unfortunately, Sibelius never
did. He is perhaps the most extreme example of a person who let
frustration destroy him musically. Sadly, he died without finishing any
substantial music compositions during the last 30 years of his life!
When I was a teenager, some friends of mine (all guitar players) and I
went to see Yngwie Malmsteen perform in Chicago. After the concert had
finished, some of my friends made comments about how they felt depressed
after hearing Yngwie and that they just wanted to quit playing guitar
completely. We were all young and knew how much better Yngwie was as a
musician than we were.
The main difference between their reaction and mine was they let their awe
for Yngwie frustrate them to the point of feeling hopeless in their
efforts to become better players. Many of my friends stopped playing their
guitars for several days, one of them actually did quit completely.
My reaction to the event was quite different. I used my awe for Yngwie as
a massive positive inspiring force. I was so inspired that I went straight
home and practiced through the night until I couldnšt keep my eyes open
The point here is not to seek to avoid frustration, but to use it to your
advantage. I have always turned my own musical frustrations as the biggest
source of motivation. I was always looking for other players to jam with
that were better than I was. Of course that was easy to do when I was a
beginner and became increasingly more difficult over the years that
followed. I got a lot out of those experiences.
In a past article I wrote on perseverance, I wrote of the importance of
believing in yourself and not giving up. I donšt want to be too redundant
here, but those points are worth mentioning briefly again.
Too often players donšt ever reach their own potential because they feel
they couldnšt measure up to other players or their own expectations. Why
compare yourself to others. Does it really matter if you are, or are not,
as good as someone else? Of course not. Music should not be thought of as
a competitive sport. It is, and should be, an art. All that really matters
is how well you are able to express yourself. Therefore the only question
should be this: Do you currently have the skills to express yourself fully
As much as I have never liked or respected Nirvanašs
singer/songwriter/guitarist, Kurt Cobain, I must admit that he was able to
express himself fairly well. Despite the fact that Kurtšs musical skills
were primitive and very limited, one could hear his personality come
through his music. It didnšt matter that he was not a good guitarist. It
didnšt matter that his knowledge of music theory was probably close to
zero. It also didnšt matter that he played out of tune and had an
absolutely sloppy guitar technique. Fortunately for him, what he wanted to
express didnšt require any of the skills that most musicians generally
consider to be good and necessary. Had Kurt wanted to express anything
more significant or complex he would have been extremely frustrated
because he didnšt have a lot of musicianship skills beyond what could be
heard in his music. So in the end, it worked out well for him and my guess
is that he probably wasnšt very frustrated with himself musically because
he wasnšt trying to be a better guitarist, songwriter or singer than
anyone else. He didnšt make those types of comparisons between himself
and the rest of the music world. This is, in my opinion, the only
significant thing to that we can all follow. Of course Kurt Cobainšs
approach to not caring about those comparisons is certainly not a new
idea, countless others before and after him have also done so. He is used
here as an example because most everyone during our time knows him.
In my own life, the thought of quitting guitar early on did occur in my
mind (although never very seriously). As a teenager, I too was frustrated
when I thought I may never become a virtuoso guitarist (like Yngwie or
Jason Becker) and may never become a master composer (like Bach or
Chopin). When I stopped trying to compete with everyone else and made new
goals of self-expression, everything changed. I stopped making comparisons
to other guitarists, composers and songwriters, because with my new goal,
those comparisons did little or nothing to serve my new quest to simply
express myself fully through music. I felt liberated from the burden of
having to compete with the rest of the world. Beginning in the early
1990s, my only
focus was on gaining more of the skills, tools, etc. that I would need to
express what I had inside me.
In my case, what I want to express does require a high level of guitar and
compositional virtuosity, musical complexity and integrity, etc. Because I
need those skills, my journey to reach a higher level of musicianship has
taken a lot more time, effort, studying, etc. than it did for someone like
Kurt Cobain who had very different needs to express himself than mine.
Most musicians who will read this will have much greater musical ambitions
than Kurt Cobain and so for you, you will feel frustrated whenever you
feel limited by your abilities. The key is to use that as a positive force
in the form of motivation and inspiration. Masters of all types of art
have gone through what you are going through. Today you are at whatever
skill level you are at. Through your frustration and motivation, you will
eventually reach your current goals. As you reach those goals you will
probably still feel frustrated because your desire to improve even further
will make you establish new goals for yourself. And so the cycle will go
on and on. But you too are progressing and improving on and on....
Tom Hess Š2003 All Rights Reserved