Chord Formula’s
And Progressions
The
table below illustrates the Key of C Major
C
|
Dm
|
Em
|
F
|
G
|
Am
|
B dim
|
C
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
|
I |
ii |
iii |
IV |
V |
vi |
vii |
|
Tonic |
Supertonic |
Mediant |
Subdominant |
Dominant |
Submediant |
Leading
tone |
|
To use the illustration above, you must understand the
numbering system. Look above and notice the number under the C. You will
note the number (1) and also the roman
numeral (I). Each note of the major key has a
number to represent it. The C =1 or I, the D = 2 or ii, the E =3 or iii,
the F = 4 or IV, the G = 5 or V, the A = 6 or vi and the B = 7 or vii.
You can use the lower illustration to play a number of different progressions. I would like to
explain the Blues progression I, IV, V, which is one of the most popular used, to become familiar with this
system. A popular blues Progression is 1, 4, 5. In the key of C the chords would be C, F and G. Look below at the
1, 4 and 5 chords. The 1, 4 and 5 chords are the C, F and G. Roman numbers are usually illustrated to show each
note of a particular major key. It would be a good idea to become familiar with this technique. The small letters,
(ii,
iii, vi) represent minor
chords. Look below at the Dm, Em and Am chords.
C |
Dm |
Em |
F |
G |
Am |
B dim |
C |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
I |
ii |
iii |
IV |
V |
vi
vi |
vii |
|
Tonic |
Supertonic |
Mediant |
Subdominant |
Dominant |
Submediant |
Leading
tone |
|
Here are some chord progression
units in Major Keys, (Chords are Triads). |
{ I
V I V}
{ I IV I IV}
{ I IV V V}
{ I IV V IV}
C |
G |
C |
G |
C |
F |
C |
F |
C |
F |
G |
G |
C |
F |
G |
F |
|
You can play
these progressions in every major key. The key of C has been illustrated,
but play them in other keys. |
{ I V
IV I}
{ I V
IV V}
|
Here are some chord progression
units in Major Keys, (Chords are Triads).
|
{ I
ii I ii}
{ I ii iii
I}
{ I ii iii ii}
{ I ii iii IV}
C |
Dm |
C |
Dm |
C |
Dm |
Em |
C |
C |
Dm |
Em |
Dm |
C |
Dm |
Em |
F |
|
You can play these progressions in
every major key. The key of C has been illustrated, but you can convert all
of these chords to other keys. |
{
I ii
iii V}
{ I ii
iii vi}
{ I ii
IV I}
{ I ii
V I}
C |
Dm |
Em |
G |
C |
Dm |
Em |
Am |
C |
Dm |
F |
C |
C |
Dm |
G |
C |
|
|
| The progression below is a blues
progression using the following chords. |
| I IV
V I |
| Look to the left and find those chords. You should have noticed that the
roman numerals above, represent the C, F and G chords. |
| So to play this progression, you could strum each of those chords. |
|
Major Chord Formulas
| (Major) 1, 3, 5 |
| (Major 7) 1, 3, 5, 7 |
| (Major 9) 1, 3, 5, 7, 9 |
| (Major 11) 1, 3, 5, 7, 9, 11 |
|
(9) = 2
(11) = 4
(13) = 6 |
Minor Chord Formulas
| (minor) 1, b3, 5 |
| (minor 7) 1, b3, 5, b7) |
| (minor 9) 1, b3, 5, b7, 9) |
| (minor 11) 1, b3, 5, b7, 9, 11) |
|
seventh------------1, 3, 5, b7
ninth---------------1, 3, 5, b7, 9
eleventh-----------1, 3, 5, b7, 9, 11
thirteenth---------1, 3, 5, b7, 9, 13
diminished--------1, b3, b5
full diminished----1, b3, b5, bb7
half diminished---1, b3, b5, b7 |
Assignments:
| Play the root 6 and root
5 bar chords. |
| Use the uppermost table to play a 1, 4, 5 progression using the root
6 and root 5 bar chords. |
| This progression would use the C, F and G chords. Start at the 8th fret,
root 6 or E type for the C. Use the root 5 or A type for the F and G chords,
8th and 10th frets A string. |
| Record these chords on cassette and play the Am
pentatonic root fret and the next position starting on the C
note 8th fret. |
| Drum
Track |
| Look over the Major progression chart and begin to record your progressions
on a tape recorder. |
| Learn the C major or what is called the C Ionian mode. |
Good Luck,
From the Jam Room |